Between 1854 and 1858, Haussmann took advantage of what was to be the most authoritarian period in Napoleon III's rule to achieve what possibly no other decade could have: transforming the heart of Paris by clearing a gigantic crossing in its centre. Art and the French state. Cholera epidemics ravaged the city in 1832 and 1848. Green spaces in Paris were rare. Green space – parks and gardens In 1848, when Haussmann was working as a deputy prefect of another southwestern department, Louis-Napoléon Bonaparte was made Pres… Three new boulevards were built in this neighborhood: avenue d’Alma (the present George V); avenue de l’Empereur (the present avenue du President-Wilson), which connected the places d’Alma, d’Iena and du Trocadéro. The grand cross had been proposed by the Convention during the Revolution, and begun by Napoléon I; Napoléon III was determined to complete it. Never before had a city built so many parks and gardens in such a short time. The renovation of Paris began in 1853 and focused on modernizing the old dilapidated, unsanitary, medieval city that Paris was at that time. The Péreire brothers organised a new company which raised 24 million francs to finance the construction of the street, in exchange for the rights to develop real estate along the route. Haussmann’s plan called for the following: The construction of a large new square, place du Chateau-d’Eau (the modern Place de la République). Paris doubles in size – the annexation of 1860 Haussmann the Demolisher and the Creation of Modern Paris. The upper floors were occupied by families; the top floor, under the roof, was originally a storage place, but under the pressure of the growing population, was usually turned into a low-cost residence. Haussmann forced them to consolidate into a single company, the Compagnie parisienne d’éclairage et de chauffage par le gaz, with rights to provide gas to Parisians for fifty years. Teaching as a performance: How one teacher stays connected to his class In Paris, the republican candidates won 234,000 votes to 77,000 for the Bonapartist candidates, and took eight of the nine seats of Paris deputies. Cleaning up living areas implied not only a better air circulation but also better provision of water and better evacuation of waste. The two axes crossed at the Place du Châtelet, making it the center of Haussmann’s Paris. Garnier, Paris Opéra. Baron Georges-Eugène Haussmann (1809-1891) On March 27, 1809, French politician and city planer Georges-Eugène Haussmann, commonly known as Baron Haussmann, was born. The renovations of Paris matched this political orientation perfectly. Haussmann 's reconstruction and renewal of Paris represented the ‘triumph’ of middle class urban culture and value of open, accessible social spaces and a drastic improvement in the living and sanitary conditions of the city. * second "noble" floor having one or two balconies; third and fourth floor in the same style but a less elaborate stonework around the windows; * fifth floor with a unique continuous undecorated balcony; The Haussmannian façade is organised around horizontal lines that often continue from one building to the next: balconies, cornices are perfectly aligned without any noticeable alcoves or projections. Wagons, carriages and carts could barely move through the streets. He was born in Paris to a Protestant family from… … Wikipedia, Boulevards of Paris — are boulevards which form an important part of the urban landscape of Paris. Haussmann's approach to urban planning was strongly criticised by some of his contemporaries, ignored for a good part of the twentieth century, but later re-evaluated when modernist approaches to urban planning became discredited. The heart of the economic system were the banks, which at the time underwent considerable expansion. Alphand termed these small parks “green and flowering salons.” Haussmann’s goal was to have one park in each of the eighty neighborhoods of Paris, so that no one was more than ten minutes’ walk from such a park. Some of these axes connected Louis XIV's grand boulevards to those that ran alongside the Farmers General Wall. The renovations of Paris matched this political orientation perfectly. Old Paris The Parisian public now has a generally positive opinion of the Haussmann legacy, to the extent that certain suburban towns, for example Issy-les-Moulineaux and Puteaux, have built new quarters that even by their name claim “Quartier Haussmannien”, the Haussmanian heritage. Which is not an example of photographic influence on the impressionist style. In the first phase of his renovation Haussmann constructed 9,467 metres (6 miles) of new boulevards, at a net cost of 278 million francs. In 1852, drinking water came mainly from the Ourcq. Baron Georges Eugène Haussmann (1809-1891) - French prefect of the Seine Born in Paris, studied law with the aim of becoming an administrator in prefectorial corps Prefect of the Seine in 1853 - arrived on the scene in 1852 Commissioned by Napoleon III to modernize Paris The underground labyrinth built by Haussmann also provided gas for heat and for lights to illuminate Paris. How to use Google Classroom: Tips and tricks for teachers; Sept. 30, 2020. * Those who owned buildings were required to clean and refresh the facades every ten years. Louis Lazare, author, under Haussmann's predecessor Rambuteau, of an important "dictionary of Paris streets", considered in 1861 in the journal "Revue municipale" that Haussmann's works disproportionately increased State-dependent populations in attracting masses of poor to Paris. 1927 – completion of the boulevard Haussmann. There was a lack of sewage infrastructures, garbage elimination and potable water proved to be the perfect breeding grounds to epidemics. Because of the construction of the North-South line, from boulevard de Sébastopol to Boulevard Saint-Michel, a number of alleyways and dead-ends were cleared from the map. But Haussmann made the Rue Rambuteau a moderate-sized street after creating new avenues up to 30 meters wide (100 ft). This became a model for the building of all of Haussmann’s future boulevards. The Emperor had always been less popular in Paris than in the rest of the country, and the republican opposition in parliament focused its attacks on Haussmann. In a slightly oversimplified way, they painted a portrait of the pre-Haussmannian building as a synthesis of the Parisian social hierarchy: the bourgeoisie on the second floor, civil servants and employees on the third and fourth, low-wage employees on the fifth, house staff, students and the poor under the eaves. Präfekt von Paris; führte unter starken Eingriffen in das historische Stadtbild… … Universal-Lexikon, Haussmann — Georges Eugène Haussmann Georges Eugène Haussmann en 1865 … Wikipédia en Français, Paris — This article is about the capital of France. A picture of Georges-Eugène Haussmann (1809–1891). The quantity of water was insufficient for the fast-growing city, and, since the sewers also emptied into the Seine near the intakes for drinking water, it was also notoriously unhealthy. But prior to 1853, Paris was largely a cramped, medieval city with narrow, winding roads and without the grand architecture that distinguishes it today. Haussmann had the Gare de Lyon constructed in 1855 and the Gare du Nord in 1865. Georges Eugène Haussmannwas born in Paris in 1809. 1809, ✝ ebenda 12. A channel down the center of the tunnel carried away the waste water, with sidewalks on either side for the égoutiers, or sewer workers. Haussmann's renovation of Paris was a vast public works program commissioned by Emperor Napoléon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870. A preference for black and white over color. This conclusion stemmed from the 1832 cholera epidemic—which killed 20,000 in Paris out of a total population of 650,000 [http://www.amicale-genealogie.org/Histoires_temps-passe/Epidemies/chol01.htm] —and the new "social medicine" famously analysed by Michel FoucaultFact|date=April 2007 (which focused on flux, circulation of air, location of cemeteries, etc.) Oct. 1, 2020. The renovation of Paris was meant to be total. Rue Maubeuge was extended from Montmartre to the boulevard de la Chapelle, and rue Lafayette was extended to the porte de Pantin. The western neighbourhoods enjoy a prestigious set-up, with twelve avenues, most of them built during the Second Empire, converging to the place de l'Étoile. Get informed with the latest PTE updates. Under Louis Philippe, a single public square had been created, at the tip of the Ile-de-la-Cité. Charles Garnier constructed the Opéra Garnier in an eclectic style and Gabriel Davioud designed two symmetric theatres on the Place du Châtelet. In the middle of the nineteenth century, the centre of Paris had the same structure as it did in the Middle Ages. Inspired by Saint-Simonism, Napoleon III, and engineers such as Michel Chevalier or entrepreneurs like the Pereire brothers, believed that society could be transformed and poverty reduced by economic voluntarism, according to which the government should play an important part in economic affairs. He intended to build a network of wide boulevards to connect the interior of Paris with the ring of grand boulevards built by Louis XVIII during the restoration, and to the new railroad stations which Napoleon III considered the real gates of the city. * Construction along the new avenues had to comply with a set of rules regarding outside appearance. Haussmann added the Rue des Écoles, designed by Napoléon III to his pet project: the Boulevard Saint-Germain, a Left Bank extension of the Grands Boulevards of the Right Bank. The end of "pure Haussmannism" can be traced to 1882 and 1884 urban legislation that broke with the uniformity of the classical street, in permitting staggered facades and the first fantasy roof-level architecture; the latter would develop greatly after restrictions were further loosened in a 1902 law. Elected president of the Republic of France in 1848, Napoleon's nephew became emperor on December 2 1852, one year after his coup. These flowed into larger tunnels that carried the waste water to even larger collector tunnels, which were 4.4 meters high and 5.6 meters wide. The Paris I know is of tiny, shy streets and worn, low buildings. Building a new rue de Châteaudon and clearing the space around the church of Notre-Dame de Lorette, making room for connection between the gare Saint-Lazare and the gare du Nord and gare de l’Est. Haussmann completed this large intersection with line connecting the first circle of boulevards, such as the rue de Rennes on the left bank and the avenue de l'Opéra on the right bank. This line included an important intersection near the Châtelet and the Rue de Rivoli: the Second Empire extended it to the rue Saint-Antoine, a street Napoleon I had drawn alongside the Tuileries. He decided to create a long, winding set of streets connecting the 12th, 19th, and 20th arrondissements: "rue Simon-Bolivar", "rue des Pyrénées", and "avenue Michel-Bizot". The parks and squares were an immediate success with all classes of Parisians. 24 July 2015 by Sue Aran 40166 29. Napoleon gave in to the opposition demands in January 1870 and asked Haussmann to resign. The new era rejected Haussmanniian ideas as a whole to embrace those represented by architects such as Le Corbusier in abandoning unbroken street-side facades, limitations in building size and dimension, and even abandoning the street itself to automobiles with the creation of separated, car-free spaces between the buildings for pedestrians. The Renovation of Paris. These projects were effectively financed not by loan, but by bonds sold through the "Caisse des travaux de Paris" (Paris works fund) quite outside of parliament control. To satisfy his ambitions the new emperor had a considerable amount of power at his disposal, enabling him to shrug off any resistance, something his predecessors had lacked. Two new government buildings, the Tribunal de Commerce and the Prefecture de Police, were built, occupying a large part of the island. Haussmann the Demolisher and the Creation of Modern Paris. The rue de Rivoli was completed, and the new hotel opened in March 1855, in time to welcome guests to the Exposition. The Haussmann Renovations, or "Haussmannisation of Paris", was a work commissioned by Napoléon III and led by the Seine prefect, Baron Georges-Eugène Haussmann between 1852 and 1870, though work continued well after the Second Empire's demise in 1870. Ultimately, Haussmann’s renovation of Paris highlighted monuments, changed and cleaned up the streets and revolutionized the dynamic of the city to increase the quality of life for Parisians for centuries to come. To connect the plain of Monceau, he built avenues Villers, Wagram, and boulevard Malesherbes. By: Kelsey Malott, Alan Phelps (L-R: Haussmann, Napoleon III, Persigny) As Paris became a new home for many through cultural advancement; a need for change within the city was evident with the spread of disease and over population. Haussmann’s successor as prefect of the Seine appointed Jean-Charles Alphand, the head of Haussmann’s department of parks and plantations, as the director of works of Paris. Containers of solid waste were picked up each night by people called vidangeurs, who carried it to waste dumps on the outskirts of the city. Disease epidemics (save tuberculosis) ceased, traffic circulation improved and new buildings were better-built and more functional than their predecessors. Also, in each district were built, and trees were planted along avenues. At the same time Napoleon III was increasingly ill, suffering from gallstones which were to cause his death in 1873, and preoccupied by the political crisis that would lead to the Franco-Prussian War. construct chalets and grottoes. With the annexation Paris was enlarged from twelve to twenty arrondissements, the number today. In spite of the social ideology partly motivating the transformations to Paris in the spirit of Napoleon III, many contemporary observers have denounced the demographic and social effects of Haussmann's urbanism operations. These aqueducts discharged their water in reservoirs situated within the city. A century after Napoleon III’s reign, new housing needs and the rise of a new voluntarist Fifth Republic began a new era of Parisian urbanism. The residents of these neighborhoods had taken up paving stones and blocked the narrow streets with barricades, and had to be dislodged by the army. The roofs needed to still have a 45 degree incline. Other lines, such as the "avenue Daumesnil" and the "boulevard Malesherbes", enabled access to the centre from the outside arrondissements. Creating the place du Trocadéro, the starting point of two new avenues, the modern President-Wilson and Henri-Martin. By Sue Aran. In 1855, work began on the north-south axis, beginning with Boulevard de Strasbourg and Boulevard Sébastopol, which cut through the center of some of the most crowded neighborhoods in Paris, where the cholera epidemic had been the worst, between the rue Saint-Martin and rue Saint-Denis. Rated 5.00 out of 5 $ 34.00; All in One PTE Academic Test Question Bank. Completion of the rue de Rivoli was given an even higher priority, because the Emperor wanted it finished before the opening of the Paris Universal Exposition of 1855, only two years away, and he wanted the project to include a new hotel, the Grand Hôtel du Louvre, the first large luxury hotel in the city, to house the Imperial guests at the Exposition. The Haussmann Renovations, or Haussmannization, of Paris was a vast public works commissioned by Napoléon III and led by Baron Georges-Eugène Haussmann, spanning from 1852 to 1870.. Garnier, Paris Opéra. In the middle of the nineteenth century, the center of Paris was overcrowded, dark, dangerous, and unhealthy. In these conditions, disease spread very quickly. Prior to Haussmann, Paris had only four public parks: the Jardin des Tuileries, the Jardin du Luxembourg, and the Palais Royal, all in the center of the city, and the Parc Monceau, the former property of the family of King Louis Philippe, in addition to the Jardin des Plantes, the city’s botanical garden and oldest park. The post-World War II period, on the other hand, with its new housing needs and, one century after Napoleon III, the rise of a new voluntarist Cinquième République opened a new era of Parisian urbanism. PTE Materials. The third phase included these projects on the right bank: The renovation of the gardens of the Champs-Élysées. In 1860, Paris absorbed the communities outside its gates up to the enceinte de Thiers. The street plan and distinctive appearance of the center of Paris today is largely the result of Haussmann’s renovation. The third phase and mounting criticism (1869–70) Haussmann went to work immediately on the first phase of the renovation desired by Napoléon III; completing the grande croisée de Paris, a great cross in the centre of Paris that would permit easier communication from east to west along the rue de Rivoli and rue Saint-Antoine, and north-south communication along two new Boulevards, Strasbourg and Sébastopol. Under his guidance, Paris’s sewer system expanded fourfold between 1852 and 1869. His mandate actually weakened the position of préfet de police, as it removed from this office problems such as city hygiene and the lighting and cleaning of its streets. When Rambuteau cleared the way for the first time in the city's history for a large avenue in the centre of Paris, Parisians were surprised by its width of 13 meters (45 ft). Haussmann’s projects would hence be decided and managed by the state, carried out by private entrepreneurs and financed with loans backed by the state. OK. The building is not treated as an independent structure, but must make, with the other buildings in its block, if not with all others in the same street or quarter, a unified urban landscape. The Étoile, around the Arc de Triomphe, was completely redesigned. The Haussmann Plan was a modernization program of Paris commissioned by Napoléon III and led by Baron Georges-Eugène Haussmann, between 1853 and 1870. Haussmann’s renovation of Paris was a vast public works program commissioned by Emperor Napoléon III and directed by his prefect of the Seine, Georges-Eugène Haussmann, between 1853 and 1870. It should also be mentioned that the police were not one of Haussmann's responsibilities. The most famous and recognizable feature of Haussmann’s renovation of Paris are the Haussmann apartment buildings which line the boulevards of Paris. "This article has been translated from its equivalent in the French language Wikipedia. Finishing the place du Château d’Eau (now Place de la Republique), creating a new avenue des Amandiers and extending avenue Parmentier. * The levelling of the streets of Paris, the buildings' alignments and connections to the sewer were regulated. Eight months later, during the Franco-Prussian War, Napoleon III was captured by the Germans, and the Empire was overthrown. The works of Haussmann converted other great squares at crossing points across the whole city: Place de l'Étoile, Place Léon-Blum, Place de la République, Place de l'Alma. For more questions regarding Paris real estate check out our FAQ. The downfall of Haussmann (1870) and the completion of his work (1927) Following this role, he was appointed to a series of increasingly important posts around the country. The style was described by its architect, Charles Garnier, simply as “Napoleon III.” A star of new avenues radiated from the Étoile; avenue de Bezons (now Wagram); avenue Kleber; avenue Josephine (now Monceau); avenue Prince-Jerome (now Mac-Mahon and Niel); avenue Essling (now Carnot); and a wider avenue de Saint-Cloud (now Victor-Hugo). In his early 20s, he entered into the realm of public administration, serving as the secretary-general of a prefecture in southwestern France. The annexation included eleven communes; Auteuil, Batignolles-Monceau, Montmartre, La Chapelle, Passy, La Villette, Belleville, Charonne, Bercy, Grenelle and Vaugirard, along with pieces of other outlying towns. Alphand respected the basic concepts of his plan. The grand projects of the second phase were mostly welcomed, but also caused criticism. The third phase of renovations was proposed in 1867 and approved in 1869, but it faced much more opposition than the earlier phases. To meet the deadline, three thousand workers laboured on the new boulevard twenty-four hours a day. All the same, this period but amounts to a "post-Haussmann" period that rejected only the austerity of the napoleon-era architecture without any criticism towards the planning of streets and islands themselves. The north-south axis was completed in 1859. This involved demolishing the famous theater street known as “le boulevard du Crime”, made famous in the film Les Enfants du Paradis; and the construction of three new major streets: the boulevard du Prince Eugène (the modern boulevard Voltaire); the boulevard Magenta and rue Turbigo. The widest streets in these two neighborhoods were only five meters wide; the narrowest were only one or two meters wide. Artists and architects (Charles Garnier) deplored the suffocating monotony of monumental architecture. Hi, you ask a question beyond Google's ability to answer. Another new street, rue Monge, was created on the east, while another new street, rue Claude Bernard, on the south. In addition to building the four large parks, Haussmann and Alphand redesigned and replanted the city’s older parks, including Parc Monceau, and the Jardin du Luxembourg. [Jules Ferry, " [http://visualiseur.bnf.fr/Visualiseur?Destination=Gallica&O=NUMM-5475 Les comptes fantastiques d'Haussmann] " (Gallica).]. On the east and west borders of the city, you could find the bois de Boulogne and the bois de Vincennes, respectively. This would allow a considerable part of the Île de la Cité to be demolished. The annexation made it necessary for Haussmann to enlarge his plans, and to construct new boulevards to connect the new arrondissements with the center. On the other hand, critics denounced as early as 1850 the effect that the renovations would have on the social composition of Paris. He was the Prefect of the Seine Department in France, who was chosen by the Emperor Napoleon III to carry out a massive program of new boulevards, parks and public works in Paris, commonly called Haussmann ‘s … The first, that of the Dhuis, brought water extracted near Château-Thierry. Haussmann’s work was met with fierce opposition, and he was finally dismissed by Napoleon III in 1870; but work on his projects continued until 1927. In a first step, the state expropriated those owners whose land stood in the way of the renovations. Belgrand proudly invited tourists to visit his sewers and ride in the boats under the streets of the city. The new era rejected Haussmannian ideas as a whole to embrace those represented by architects such as Le Corbusier in abandoning unbroken street-side facades, limitations of building size and dimension, and even closing the street itself to automobiles with the creation of separated, car-free spaces between the buildings for pedestrians. The city also began to see a demographic shift; wealthier families began moving to the western neighborhoods, partly because there was more space, and partly because the prevailing winds carried the smoke from the new factories in Paris toward the east. The street-side result was a "monumental" effect that exempted buildings from a dependence on decoration; sculpture and other elaborate stonework would not become widespread until the end of the century. Rated 5.00 out of … It was with this background that the Second Empire opted for a huge program of expropriation and clearances, much more costly than the "servitude d'alignement", but also much more effective. Those familiar with the wide avenues,decorated and uniformly tall buildings of the western Paris are also familiar with Baron Haussmann's 1853-1870 renovations of the city - renovations that… The Haussmann building In addition to the above, Parisians were becoming intolerant of the renovations that had paralysed the city for nearly twenty years. At the risk of the 'uniformisation' of certain quarters, the rue de Rivoli served as a model for the entire network of new Parisian boulevards. The extension of boulevard Magenta to connect it with the new railway station, the Gare du Nord. The hill of Chaillot was leveled, and a new square created at the Pont d’Alma. The authorities intervened at the same time to regulate the dimensions of buildings and even on the aesthetic aspect of their frontages:* The 1859 regulations for urban planning in Paris increased the maximum height of buildings from 17.55 meters (57.5 ft) to 20 meters (65.6 ft) in streets wider than 20 meters. Almost all the new residential buildings of Paris had gaslights in the courtyards and stairways; the monuments and public buildings of Paris, the arcades of the Rue de Rivoli, and the squares, boulevards and streets were illuminated at night by gaslights. the boulevards. Many of Napoleon III's contemporaries accused him of hiding, under a preoccupation for social and sanitary questions, a project geared toward the better policing of the capital: the construction of wide thoroughfares may have been to facilitate troop movement and prevent easy blocking of streets with barricades, and their straightness may have been to permit artillery to fire on rioting crowds and their barricades. Jules Ferry condemned this financial issue in a pamphlet published in 1867: "Les comptes fantastiques d'Haussmann" (the title is a pun, translating as The fantastic accounts of Haussmann, but homophonic with Jacques Offenbach's comical opera, Les contes d'Hoffmann). Haussmann emphasised the fundamental role of the Paris Map services, led by the architect Deschamps who was in charge of drawing the new avenues and enforcing the construction rules; in this area, "geometry and graphic design play a more important role than architecture itself", said Haussmann, ["Mémoires du Baron Haussmann"] . Many of the criticisms targeted the base motivations of the venture and ended by felling the "préfet". Haussmann’s renovation of Paris was a vast public works program commissioned by Emperor Napoleon III and directed by his prefect of the Seine, Georges-Eugene Haussmann, between 1853 and 1870. Underneath the streets of Haussmann’s Paris – the renovation of the city’s infrastructure Haussmann had the opportunity of working in a legislative and regulatory context that was modified specifically for the renovations. Politicians and writers accused the spread of speculation and corruption (Émile Zola's " "La Curée" ") and a few wrongly accused Haussmann of personal enrichment. The narrow interweaving streets and cramped buildings impeded the flow of traffic, resulting in unhealthy conditions [ [http://www.arthistoryarchive.com/arthistory/architecture/Haussmanns-Architectural-Paris.html Haussmann's Architectural Paris - The Art History Archive] , checked October 21st 2007.] Haussmann tasked the engineer Belgrand with the creation a new system of water provisioning to the capital, which lead to the construction of 600 kilometres of aqueduct between 1865 and 1900. Haussmann was also criticized for the growing cost of his projects; the estimated cost for the 26,290 metres (86,250 ft) of new avenues had been 180 million francs, but grew to 410 million francs; property owners whose buildings had been expropriated won a legal case entitling them to a larger payments, and many property owners found ingenious ways to increase the value of their expropriated properties by inventing non-existent shops and businesses, and charging the city for lost revenue. 3. Extending the rue Caulaincourt and preparing a future Pont Caulaincourt. He treated buildings not as independent structures, but as pieces of a unified urban landscape. The Commune of Paris La Commune de Paris ← … Wikipedia, Haussmann — [os man], Georges Eugène Baron (seit 1853), französischer Staatsbeamter und Politiker, * Paris 27. To reach the northern arrondissements he extended boulevard Magenta with boulevard d’Ornano as far as the Porte de la Chapelle, and in the east extended the rue des Pyrénées. Haussmann and Alphand created the Bois de Boulogne (1852–1858) to the west of Paris: the Bois de Vincennes (1860–1865) to the east; the Parc des Buttes-Chaumont (1865–1867) to the north, and Parc Montsouris (1865–1878) to the south. The citizens of Paris lived in crowded and unhealthy medieval Faubourgs. Haussmann was removed from office in the beginning of 1870, a few months before the end of the 2nd Empire he had served for its almost entire duration. Haussmann's projects would hence be decided and managed by the state, carried out by private entrepreneurs and financed with loans backed by the state. Napoleon III had decided to liberalize his empire in 1860, and to give a greater voice to the parliament and to the opposition. Napoleon III and Haussmann commissioned a wide variety of architecture, some of it traditional, some of it very innovative, like the glass and iron pavilions of Les Halles; and some of it, such as the Opéra Garnier, commissioned by Napoleon III, designed by Charles Garnier but not finished until 1875, is difficult to classify. It would end at the place du Trône (the modern Place de la Nation). * * * I … Universal-Lexikon, Paris districts — Most of the Paris we see today is a result of a nineteenth century renovation, but its boulevards and arrondissements were but a new grid bisecting quarters built by centuries of Parisian habit; as a result of this, Paris has many quarters that… … Wikipedia, Paris sewers — Égouts de Paris The Parisian sewer system dates back to the year 1370 when the first underground system was constructed under rue Montmartre . “It was the gutting of old Paris,” Haussmann wrote with satisfaction in his Memoires: of the neighborhood of riots, and of barricades, from one end to the other.” The Boulevard Sébastopol ended at the new Place du Châtelet; a new bridge, the Pont-au-Change, was constructed across the Seine, and crossed the island on a newly built street.