hajra waheed scrapbook project

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)��#�%a�e:�=c��[������]~3�1D���90�3nflX1�,yr�0 �VHl endstream endobj 60 0 obj <>>> endobj 61 0 obj <>/ExtGState<>/Properties<>>>/Rotate 0/TrimBox[0.0 0.0 419.528 595.276]/Type/Page>> endobj 62 0 obj [/ICCBased 73 0 R] endobj 63 0 obj <> endobj 64 0 obj <>stream He has a Bachelor’s degree in Fine Art, majoring in painting, but is equally interested in all the arts especially architecture, urban design, city planning and the creation of public spaces. Static, that is, except for flashes of humanity that ripple through the frame. 0000001107 00000 n 0000009764 00000 n In 2012 Waheed returned to the Gulf with a video camera. The Swimming Pool Series is an ongoing taxonomical study of four swimming pools built, owned and maintained by Saudi ARAMCO on each of the oil company’s four separate compounds: Dhahran (Saudi ARAMCO’s administrative headquarters), Ras Tanura (the oldest refinery and company port on the Persian Gulf Coast), Abqaiq/Biqayq (home to the company’s oil processing facility), […] collection of ongoing video works and The Scrapbook Project 1/3 2010-11. Having found my passion in IMC, Advertising, Digital Marketing, Branding, PR, Project Management, and Graphic Designing, I wish to pursue such lines of work in my future career. Hajra Waheed, The Video Installation Project 1-10 : Fayaz, 2011-2013 HD Video, 1/3, 33 min 14 s Collection of the Musée d'art contemporain de Montréal Photo: Paul Litherland. 0000016221 00000 n %PDF-1.5 %���� In The Scrapbook Project (2010-2011), Waheed in fact used this form more directly when she filled thirty-four pages of an old scrapbook with images and then opened it up to the gallery walls. We don’t know but we do know one thing; taking photographs is no longer taboo. 0000006134 00000 n Next Previous. The Scrapbook Project, 2010-11, Mixed Media on Paper, 34 Pages Fear Brings About 1-5 , 2010, Detail: 2/5, Collage, Pencil, Ink and Acrylic on Graph Paper Swimming Pool Series (1-4) , 2010, Xylene Transfer and Colour Pencil on Graph Paper Over recent years, Waheed’s work has comprised partly of producing single and multi-page visual diaries whose primary purpose is to reconstruct personal and popular histories, narratives and memories that reference her many lived experiences between the Middle East and North America. The work shows photographs, collage pictures and drawings that are very personal to Hajra and tell a story of her life between 2010 and 2011. The region was militarising and political tensions were rising. ��X�P��n ʲ�q�r�թ{|�-�i|�â��c��~O��D w�]'���2�ۜ�$��t�r��h�ׅ��2X\� 44--�l+������ �@@G�3� Hajra Waheed (b. Waheed keeps her distance, letting the video make the point that the times may have changed but certain paradoxes remain. Seeking out an exciting opportunity in the desired suitable positions (Mentioned on my profile) in an ambitious company with a forward-thinking mindset. Wabi Sabi: Nothing lasts, nothing is finished and nothing is perfect! Leave a reply. Video Installation Project 1-10 (2011-2013) is a sequence of 10 vignettes filmed between 2011 and 2013 in locations where photographic and videographic documentation is prohibited. The Scrapbook Project (2010), came from this way of working and remains ongoing. Opening: Saturday, 10.10.15, 17–19 h Through the optics of violence – to what extent does digital technology realistically convey the textures of a planet, a star, a cosmos, or a gated community? Her multimedia practice includes works on paper, collage, sound, video, sculpture and installation. Her concern with the expatriate experience, issues of security and surveillance, the construction of identity and experiences of war are juxtaposed in the series of collages Waheed has constructed on the faded pages of the Scrapbook Project, 2010 – 2011. �X�i~ VkQf`L�~�?X�Y׳|��. 0000007434 00000 n For Montreal artist Hajra Waheed, it took decades to gather her thoughts and encapsulate them in a mixed media art work called The Scrapbook Project, part of her larger installation Minutes from a Second Story, currently on view at Vancouver’s Centre A Gallery. Her father worked for ARAMCO, the Saudi oil company, and young Hajra grew up in a gated community exposed to two cultures, her westernised home life and the conservative Saudi one. Hajra Waheed. Hajra Waheed, Sea Change Chapter 1 - Character 1: In the Rough, A Short Film 1-331 (installation detail), 2014, Cut-Film Collage in 2.25" Negative Glass Slide, Slide Viewer in Hand-Made Wood Casing, Pedestal. 13 short videos elegantly mounted in heavy, walnut frames constitute the second part of the exhibit. Amongst other issues, she explores the nexus between security, surveillance and the covert networks of power that structure lives, while also addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Waheed uses news accounts, extensive research and personal histories to critically examine multiple issues including: covert power, mass surveillance, cultural distortion and the traumas of displacement caused by colonialism and mass migration. H er methods of creation draw on materials from real facts such as the US Hexagon programme in KH-21 (2014), to the refugee crisis in Sea Change, and the experience of military surveillance in the Saudi-ARAMCO ’s walled community (where the artist lived) featured in The Scrapbook Project (2010-2011). uses old and faded sketchbook pages. H��W�n[G��+�ܚަ�����8�!�@qr� 8� 5Z ���h��y�b�������v��u2�yU�W�־�~���������7�"�"/' o�}����y��z���v����~z���>?����i�I�ڼ�ݵ��s�6��Z�^�|(y��ۏw~ܽax�F�wiLj����z�{xiXZ�ᎁ������n>�z��띞~�����?������jnB)>�,6H8�a7�#Σ���)� ����SVZ�}����x�[x��x�+��m��^��;7� s�g�j�� It was a fluid period in the country’s history. q�7�� CT��`%�k��A`b��i%v�n�?L`�o,.��z\�糌`�s�s�j�XM����3�e� ���E�7���B|���:�؃cq��T��鈤U?`ǯ%�yp�_ ;g�_\���gV8dfI��l960��-��6��սm!�#��\�ekOHsF�B{S��4�-J�uB�EM A4�KE��91+:E�"&!Je�+N��_���R��ir�:#Xx��Ƙo��7�h��.�V��4��,���B�=�B���yހ�b_!���G�8�0NV��͂W�6��K:�������ȓ�X�����E|�8Al(pGy3��E�������@�(�e��ޅ0x5>0�::c ������u�L٩�K9��CQ�y� ��~z�|��B� The Scrapbook Project is a distinctive collection of images comprised of iconic magazine photos, collage, photo transfers and drawings. Centre A is a new gallery in the heart of Vancouver’s Chinatown devoted exclusively to supporting and advancing Asian art. Learn how your comment data is processed. The Scrapbook Project is a reaction to that convention, a sort of belated family album. Her concern with the expatriate experience, issues of security and surveillance, the construction of identity and experiences of war are juxtaposed in the series of collages Waheed has constructed on the faded pages of the Scrapbook Project, 2010 – 2011. “It was during my most formative years,” she says, “that I began studying this place with a discerning eye. A woman sits by the water’s edge taking pictures with her smart phone. 1980) Expansion Chart: Mecca 1-11 Xylene, ink and graphite on paper 11 x 8½ inches (each) This site uses Akismet to reduce spam. Seeking out an exciting opportunity in the desired suitable positions (Mentioned on my profile) in an ambitious company with a forward-thinking mindset. The Video Installation Project 1-10 15 02 2017 au 17 09 2017. MoMA collects numerous drawings by Hajra Waheed. 12:00 AM Waheed was born in Canada but spent her childhood in Saudi Arabia. 0000004644 00000 n 0000028530 00000 n 0000000996 00000 n ... a collection of ongoing video works and The Scrapbook Project 1/3 2010-11. The Scrapbook Project was Hajra Waheed’s first UK solo exhibition. To be in Venice, surrounded by ever-rising water, it would be difficult not to interpret Waheed’s work as an experience of displacement already undergone by many, as well as a warning of what the future may hold. They are delicate miniatures but they pack a punch, idyllic California-type scenes, – the compound emulated a sunny California lifestyle – juxtaposed with helicopters, Mecca and Arabic script. I realized how critical it was to begin to make better sense of this rather strange lived experience.”.

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